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This Class is also available in Art Soul Living – Creative Academy – read more here
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Crown of Winter Solstice
Magical Realism Portraiture in Watercolor Pencil and Mixed Media
Step into a hush of winter light, where a frost-crowned queen slowly emerges from the quiet. Let your creative spirit soften open again as confidence, warmth, and ease begin to return to your hands. With watercolor pencils, gentle dissolving, and simple layered details, you’ll ease into a calming process that guides you every step of the way.
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Let Winter Light Gently Open the Door Back to Your Art
There is something special about returning to your art in the soft light of winter — as if the quiet season itself is gently inviting you to slow down, breathe, and let your creativity awaken again. In this lesson, we step into a peaceful forest realm together, where a serene Winter Solstice Queen waits to guide your hands back into the pleasure of making marks, choosing colors, and watching a painting slowly come alive. This is a place where you can settle in without hurry, without pressure, simply allowing the rhythm of the process to carry you forward, one tender layer at a time.
Where Your Creativity Unfolds in Its Own Tender Rhythm
As we move through the painting, you’re invited to lean into a sense of spaciousness — the kind that lets you set down expectations and follow the soft pull of curiosity instead. Here, small pauses, unsure moments, and gentle restarts are all a natural part of the creative journey. Everything unfolds in calm, steady steps, with plenty of room to explore, breathe, and rediscover your own quiet confidence along the way. Think of this as a creative winter walk: lingering, noticing, letting the experience itself guide you.
Guided by Soft Layers, Simple Tools, and Winter Magic
And throughout the lesson, you’ll learn an accessible and deeply soothing way of working — using watercolor pencils, soft washes, gentle shading, atmospheric backgrounds, and delicate finishing touches. I’ll show you exactly how to build the forest glow, shape her features, bring her companion robin to life, and add that final winter magic with snow, light, and texture. Every technique is introduced slowly and clearly, making the process feel intuitive and welcoming, even if you’re returning to art after a long pause. This is your invitation to settle in, enjoy the journey, and let the winter queen lead you back to your own creative warmth.
Projects: 1 // Lessons: 7 // Time: 6 h 03 mins
In this lesson you will learn:
- How calming it feels to let the colors softly dissolve beneath your brush. As the pigments open and flow, you’ll reconnect with a sense of ease and trust in your process.
- To shape the winter background with smooth washes and subtle textures. These techniques help you create atmosphere without overwhelm, using simple water flow and steady layering.
- To feel the quiet joy of bringing her face to life, one tender detail at a time. The gentle steps for eyes, lips, and soft skin tones make portrait work feel more like breathing than striving.
- Practice dissolving watercolor pencils into unified, luminous surfaces. This builds confidence with water control and shows you how forgiving mixed media can truly be.
- Enjoy adding small, enchanted details — the robin, the treetops, the shimmering crown. These little moments invite play and presence, helping you sink deeper into the creative daydream of the piece.
- Explore winter magic through light spatters, pearl-like highlights, and delicate star rays. These finishing touches invite spontaneity and help you loosen perfection’s grip.
- How pan pastels and color pencils can softly refine your artwork. These accessible mixed-media tools let you adjust tone, deepen warmth, and add gentle definition with ease.




Crown of Winter Solstice
CLASS IS OPEN!
{ LIFETIME ACCESS & DOWNLOADABLE VIDEOS }
***
This Class is also available in Art Soul Living – Creative Academy – read more here
Unlocks access to hundreds of courses and my private members community

Quotes from the Lesson
“The only way forward is simply to begin — to dip the brush into water, soften the pigment, and trust that something beautiful will unfold.”
— Ida Andersen Lang
WHO IS THIS CLASS FOR?
This class is for anyone who feels a gentle pull toward winterlight, soft portraits, and the quiet poetry of a story unfolding on the page. Whether you’re just returning to your art after a long pause or you’ve been creating for years, this lesson meets you with ease and step-by-step guidance—no prior experience needed.
We’ll explore how to work with watercolor pencils as paint, delicate washes, atmospheric backgrounds, and tender detailing. You’ll learn how to build luminous skin tones, sculpt subtle winter shadows, and weave a touch of magic through simple, forgiving materials that encourage slowing down and creating without pressure.
If you love gentle portraits, enchanted Nordic moods, and art that feels like stepping into a winter tale, this class is for you. The process is calm, spacious, and full of small moments of joy—perfect for cozy creative sessions at home. Whether you’re a beginner or a seasoned soul, you’ll find warmth, confidence, and inspiration blooming in this project.

Quotes from the Lesson
“Even the smallest brushstrokes can awaken the soul of a painting when done with care and presence.”
—Ida Andersen Lang
Supply List
This list gives you an overview of the materials I use in Girl with a Blackbird—but please don’t feel like you need to gather every single item. This pastel portrait project is flexible and forgiving, and you can absolutely work with what you already have at home.
I always encourage you to use what feels right to you. Maybe you’ll be curious to try a few of the tools I mention—or maybe you’ll reach for your own trusted favorites. Either way is just right. While I share the exact colors and materials I used, there’s no need to follow it all to the letter. Pastels, pencils, papers—there are so many beautiful options out there.
So gather your supplies in your own way, get playful with what you have, and come along just as you are. Let’s create something soft and beautiful together.
Materials Introduction
For this wintery journey, we gather a small collection of tools that feel gentle in the hands and calming to the heart — the kind of materials that invite you to slow down, breathe, and let the painting unfold at its own quiet pace. Soft watercolor pencils that dissolve like morning frost, whisper-light pastels that blur edges into tenderness, brushes that glide with ease, and simple touches of graphite that guide your way without demanding perfection.
Each material brings its own softness: creamy pigments that melt into snowfall hues, pale winter tones that settle smoothly into the page, and warm, earthy shades that ground the portrait in subtle depth. It’s a palette that feels friendly and forgiving — perfect for nurturing confidence, rebuilding trust in your own mark-making, and creating a peaceful creative ritual where you can simply be with your art.
Paper
- 300 gsm watercolor paper (A3 or similar)
Transferring Tools
- Soft graphite (9B or 2B–4B)
- Cotton pad
- 2H mechanical pencil (0.5) or similar
- H mechanical pencil (0.5)
- Tombow Mono Zero eraser
- Faber-Castell Perfection 7058 eraser
- Kneaded eraser
Watercolor Paints
- Naples Yellow Reddish (Schmincke 230)
- Titanium White (PW6)
- Vermilion Red (PR 251)
Watercolor Pencils (Faber-Castell Albrecht Dürer)
- 178 Nougat
- 175 Dark Sepia
- 157 Dark Indigo
- 168 Deep Cobalt Green
- 172 Earth Green
- 140 Ultramarine Light
- 101 White
- 103 Ivory
- 102 Cream
- 271 Warm Grey II
- 272 Warm Grey III
- 273 Warm Grey IV
- 108 Dark Cadmium Yellow
- 109 Dark Chrome Yellow
- 111 Cadmium Orange
- 191 Pompeian Red
- 186 Terracotta
Waterproof Colour Pencils (Polychromos)
- 172 Earth Green
- 178 Nougat
- 132 Beige Red
- 191 Pompeian Red
- 272 Warm Grey III
- 189 Cinnamon
- 130 Coral
- 103 Ivory
- 101 White
- 175 Dark Sepia
- 273 Warm Grey IV
Brushes
- Detail brush (size 1)
- Sizes 1–4 brushes
- Several size 6 brushes
- Small stiff brush for lifting
Pastels & Soft Tools
- PanPastels or matte eyeshadows (brown/skin tones)
- SoftTools applicators or makeup sponge applicators
Other Tools
- Pencil sharpener
- Mixing wells or palettes
- Small pipette
- Water jars
- Painters tape
- Hairdryer
- Toothbrush
- Small ruler
- Posca pens (white): PC-1MR + PC-5M



BONUS LESSON
Christmas in the Forest
Step into a quiet winter forest and create a soft, old-fashioned fox-and-cardinal portrait on beautiful tan paper. Together we’ll explore simple mixed media techniques with liner pen, watercolor pencils, and soft pastel touches to give your animals a warm, nostalgic glow. A short, cozy Christmas session that feels like hand-coloring an old photograph — perfect for a peaceful creative afternoon.
Projects: 1 // Lessons: 1 // Time: 0 h 52 mins
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In Christmas in the Forest, I invite you into a gentle, Narnia-inspired winter world — a place where foxes and little red birds could easily be old friends, and the snow seems to whisper its own stories. We’ll be working on a beautiful tan “multi technique” paper, which already gives us a soft, beige forest atmosphere to begin with. From there, we build up a simple, charming motif: a fox with a sweet, heartful presence and a cardinal bird perched above, like a tiny Christmas guardian.
We start by using a light tracing to save time and energy, so you don’t have to worry about proportions or spend hours measuring. With soft graphite and a rollerball liner pen, I show you how to create an old-fashioned line drawing — almost like a vintage illustration. You’ll see how I keep the lines loose and playful, how I adjust my pressure to get soft and strong lines, and how we slowly let the fox and bird emerge on the warm, toned surface. This is a short and sweet session, designed as an afternoon project rather than a big, overwhelming masterpiece.
From there, we add delicate color in a very simple way — just a few watercolor pencils, some water, and a touch of pan pastel (or even simple matte eyeshadow) to deepen the shadows and bring in the light. We keep the palette limited: warm browns and reds for the fox and the cardinal, a bit of white for the highlights, and some soft spatters and snow dots to give that magical Christmas feeling. I’ll show you how to create little halos of light, how to use the tan paper as a mid-tone, and how to stop before perfectionism takes over. The result is a tender, slightly antique-looking winter portrait — and a technique you can easily reuse for many other forest friends and holiday motifs.
In this lesson, you’ll:
- Discover the soothing pleasure of starting with simple, old-fashioned line work. As your pen glides over the tan paper, you’ll feel how gentle shifts in pressure create both soft and expressive lines, helping the fox and cardinal quietly appear.
- Experience the calm rhythm of adding color with watercolor pencils. When the pigments dissolve beneath your brush, the animals begin to glow with warmth using only the lightest touch.
- Let the tan paper offer its natural magic. Its soft mid-tone instantly provides depth, allowing your whites to shine and your shadows to settle without heavy layering.
- Enjoy working with a beautifully simple palette. Just a few reds, browns, and touches of white are enough to create that nostalgic, hand-colored look that suits this forest scene so well.
- See how softly pan pastel (or matte eyeshadow) can elevate your artwork. These powdery touches deepen the shadows, brighten the light, and give the whole piece a gentle, vintage glow.
- Play with winter details that feel light and spontaneous. Delicate spatters and tiny snow dots bring in a quiet sense of snowfall drifting through the forest.
- Savour the freedom of keeping the session simple and sweet. This short mixed-media project invites you to relax, let go of perfectionism, and enjoy a peaceful Christmas moment on the page.



